Category: cuba

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Hero Pursued in Santiago


One of the charming (not!) billboards that plague the countryside of Cuba, reminding everyone how what a wonder the revolution is, what great things it’s going to achieve. Cubans must wonder what happens when the revolution goes wrong, if a successful revolution leaves a Latin-American country, once a jewel of the Spanish Empire looking something like an impoverished African country.
This one says: Santiago – in the past – rebellious. Now – hospitable. Always – heroic.

It’s no secret that I’m planning to set my next book in Cuba. (Well, it isn’t now…) Not one of the Joshua books, something new. Well this is the story of how one Cuban received the proposed plot of the book I’m calling ‘Jaguar’s Realm’. (whoever publishes it – if anyone – may well change the title).

After the son lesson, we’d invited Yulieski and his girlfriend to join us for dancing at the Santiago Melia’s fancy nightclub, the Santiago Cafe. Well, it’s another shiny, cheesy latino nightclub where they play salsa for about half an hour and then solid latin disco music, just like most latin dance clubs in Mexico and apparently Cuba too. The setting is quite nice – an ersatz square in old Santiago, with reproductions of famous city spots, like the Casa de la Trova and a well-known bar. Yulieski turned up 30 mins late – sans jeune fille! I wasn’t entirely convinced by his having apparently misunderstood that our invitation had extended to the girlfriend too. I figured she didn’t like son but might like a fancy nightclub. “I thought you were just inviting me and the dance teacher”, Yulieski said, all innocence.

The dance teacher had quite rightly turned up his nose at the invite. “That sort of place,” he muttered, “is not really my scene.”

Yulieski seemed keener. We agreed to keep quiet about the fact that he’d been out with us. I guessed that he had his reasons – didn’t buy the mix-up. There was a live band playing son. They were good but not as good as the guys we’d heard in La Trova. Yulieski was keen to try out what he’d seen the dance teacher show us. He picked it up quickly, but was too shy to dance on the main dance floor.

Between dances he smoked and asked me what stuff I write. I told him a bit about Joshua and then told him I was planning another book, possibly a series, the first book of which would be set in Cuba. I told him the plot. Years and adult sophistication fell away as he listened. “And then this could happen…he said, jumping in with a series of suggestions. Pretty good ones too, but using a plot device which I use in Joshua 2, so that, I explained couldn’t be used.

“Your story,” he observed, “is the story of all boys in Santiago. We dream of crossing the island to Havana and finding a way to get to Florida. And like all Cubans, your hero is pursued in his own country.”

“So it’s a metaphor for the Cuban experience?” I said. Yulieski nodded. “I hope they let me back into the country if it gets published,” I said. Yulieski’s eyes widened in sudden realization. “…True!”

Yulieski kept making trips to and from the bar. “Maybe I’ll stay on for a bit,” he said as we got up to leave. “There are other girls to dance with,” I said, looking around. Iran blushed and covered his face. “There are. But it’s a secret, okay?”

Not anymore, pal.

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Salsa al Contratiempo en Santiago

Santiago de Cuba as seen from the balcony of Sandra’s house. We had a similar view in a house where we were taught by one of the most wonderful dancers I’ve ever seen – a young Afro-Cuban called Yoannis (it IS his real name – he deserves to be famous, he is AMAZING!)

Here’s a clip of Yoannis dancing his smooth, Santiago-style salsa at the Casa de la Trova – where I danced with him.

We met him in the Casa de la Trova, where the world’s best son cubano bands perform. This is where Compay Segundo, Eliades Ochoa and those Buena Vista old guys used to play. It’s an old house just off Parque Cespedes, the main square in Santiago. On the second floor, with an open balcony which overlooks the nearby alleyway, wooden ceiling fans fail to cool the air. By the time theyve danced a few numbers, all non-Cubans are glistening with sweat. The Cubans, however, wear white, stay cool and glide effortlessly across the floor, dancing in their unique Santiago style. We watch, mesmerised as old couples take the floor to the music of ‘Los Jubilados’ (the Retirees). In the hall next door, Yulieski takes me for a spin. He dances beautifully, quite unlike the Habaneros. It’s graceful, his left arm stays rigid in the ballroom hold and he guides me around the hall. Before long, I’m totally converted to the Santiago style.

We’ve told Yulieski that we want to learn to dance son, the old dance from which salsa takes many of its basic moves. He finds a guy he knows, a dance teacher – Yoannis – signalling to the young dancer that I’d like a dance. Yoannis looks me up and down very briefly. He stares at me archly. “Salsa or son?” “Son,” I say. “The timing is different,” and begins to move. “2,3,4…6,7,8. See? Not like salsa, on the 1.” We begin to dance. He doesn’t try anything fancy – dance teachers rarely show off with a dancer they don’t know. And I asked him to dance…so I get the bored-but-dutiful act. Yulieski watches. He’s from Santiago but he’s never tried dancing son. “I think of it as for older people,” he admits. “But it looks pretty good…”

Sandra and Odris, Yulieski’s girlfriend, are there too, but only Pupa seems to be having a good time. Odris looks bored rigid. “There’s a Casa de la Musica here in Santiago too,” she hints. “They play reggaeton.”

Reggaeton! The youngsters are all mad for it. No need for partners and no need to learn steps.

After the band finish, the DJ plays salsa and timba. People dance between the tables – the dance floor is too small. Yoannis takes a stick-thin Cuban woman by the hand as Adalberto Alvarez’s homage to the orishas of the Santeria religion, “Y Que Tu Quiere Que Te Den” begins to play. They begin to dance – son mixed with salsa. It’s a casual dance, improvised, but better than any performance I’ve seen, with the possible exception of Rafael di Busto and Janet Fuentes, the world champions of salsa. Once the chorus starts to salute the orishas – Yoannis and his partner break apart and begin to dance folkloric style – rumba and proper African dancing, laughing and joking, teasing each other. Our eyes are popping out at how amazing they are. The table next door is filled with European women. One of them leans over and tells us “He’s our dance teacher. Why don’t you get him to give you a private lesson?”

Later, trying to cool off on the balcony, I meet Yoannis and ask him for a private lesson. “How much do you charge?” “Have you got a thousand dollars?” he says. “No..how much for two hours?” “Well…if you don’t have a thousand dollars…then I charge ten dollars per hour per person.”

We meet Yoannis the next afternoon and he walks us through the streets of Santiago, saluting pals on the way, to a house where he’s borrowing the front room. There he spend an hour correcting some bad habits we’ve picked up in salsa, then we get down to the task in hand.

We’ve asked Yoannis to show us how to dance contratiempo – counter-time – the timing and movements of son, to the music of salsa. Proper Cuban salsa should mix son, mambo and rumba. But it isn’t easy! He makes us find the countertime on a whole series of tracks.

Yulieski watches, and dances on his own. As we leave his eyes are gleaming. “Let’s go out tonight and practice!”

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cuba

Sister in Santiago


One of the reasons that we got talking to Alicia was that she has a sister in Santiago. “Oh my sister, she’s so talkative,” Alicia told us. “You can’t shut her up!”

Well, Sandra, the sister, wasn’t all that talkative. She only had two or three topics of conversation – all sob stories. How sad and lonely she is to be a widow. How she wants her daughter, studying to be a psychologist, to marry a foreigner and leave the country. How broke she is and how hard life is in Cuba.

“Do you like Cuba?” she asked me, with genuine curiosity. Well sure I do. Cuba’s great – unless you’re a Cuban who has to live there. “What’s not to like,” I said, trying to be diplomatic. Sandra smiled sadly, wonderingly. She can only imagine what it is to experience Cuba the way we were seeing it. Eating a good restaurants, sleeping in comfortable hotels where everything works, going to the beach in taxis, paying street musicians to entertain us – even on the beach, drinking cocktails made freshly by obsequious bartenders, going dancing every night to the country’s top live music spots. There is only one way for Cubans to get this kind of life – via foreigners.

Alicia and Giovannis had enjoyed the ‘good life’ with us for a few days in Havana. They managed to keep a straight face when they saw that the bill for our lunch at La Bodeguita de Medio was around 2 weeks wages for most Cubans. They didn’t ask us for money – ever, not even by hinting.

Sandra was different. Maybe she’s much poorer – she isn’t a primary school teacher, but ekes out a living taking in clothes to repair on an ancient olf sewing machine. She wasn’t all that interested in being treated by strange foreigners. Her ‘sob stories’ were immediately focused on the bottom line – money. No money to visit her sister – only a 30-dollar bus ride away. No money for her daughter’s glasses. Yes, the wonderful free health system wouldn’t deny anyone glasses. But in Santiago no optician had functional equipment. So everyone had to go to Havana.

I offered her the money for the bus ticket. I know what it’s like to miss your family. Only later did I think through the implications – how would Alicia react to hearing that I’d given her sister money and not her?

Sandra’s daughter is dating a gorgeous, 24-year old music student, Yulieski, with the sharpest cheekbones I’ve seen on a Hispanic man. He must have some genes from one of those tall African tribes. Yulieski put some salsa music on the restaurant’s music system and we danced a little. His girlfriend isn’t much of one for salsa, but Yulieski wants to be a salsa singer. That’s his plan for how to get out of Cuba and see the world.

Marry a foreigner, work for UNESCO or a foreign embassy, or become a star of the Cuban salsa scene: these are some of the only routes by which young Cubans can do what young people all over the world take for granted – travel.

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cuba

Santiago de Cuba


Santiago de Cuba is home to many of Cuba’s most famous musicians, like Compay Segundo. We were told that in Santiago you can’t walk around the old town without hearing live music being played or practiced. It’s completely true. Within minutes of being there we heard what sounded like a scrummy salsa band playing acoustic salsa in an old methodist church hall. We’d just been taken to a paladar for lunch – a private restaurant run in the home of Cubans.

Unlike Hotel Sevilla in Havana, our hotel in Santiago was a modern chain hotel – the Melia, catering mostly to tourists from el mundo latino. Very comfortable, lots of attentive staff, delicious sandwiches and cocktails by the three pools. It reminded me of being in Acapulco or something, but with old Cuban music piped everywhere. Boleros sung by Beny More by the pool during the afternoon – lovely.

There were no taxis at the Viazul bus station, but a couple of bicitaxis were quick on the uptake and had our cases loaded precariously on their old rickshaws before we could protest. What the heck, we thought. The hotel was just up the street. Up being the operative word – the poor cyclists were dripping with sweat by the time they got us up there!

“I’m Daniru,” the boss of the three told us. “She’s my niece,” he said, pointing at my five-year old daughter. “We’re your family here in Santiago. We’ll take care of you, make sure you have a good time.”

Right on, companero. For a price, I’ll bet…

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cuba

La Guagua pa’ Santiago


This is not a guagua…this is a camionetta.
They sing about ‘la guagua’ in lots of salsa songs. It turns out to be not a baby (Chilean slang), but a bus. I thought it was the crummy kind of bus they pack people into and that spews pollution. But no. That, in Cuba, would be the el camionetta.

La ‘guagua’ is a coach, the kind of luxury affair tourists and fortunate Cubans use to cross the island. Equipped with on-board loos and video screens that work some of the time, the VIAZUL buses are reckoned to be the safest way to travel in Cuba. (Until recently the British foreign office advised against internal air travel in Cuba). Safe because they are sleek and well-maintained and the roads are good?

Nope. Mainly because they travel slowly on the pock-marked main Cuban freeway that even in Mexico would be a B-road, and where other cars are rare.

Our overnight guagua was making excellent time between Havana to Santiago de Cuba – on target for 14 hours. In fact, at 7am I was feeling rather sheepish at having dreaded the trip. I had to see the Oriente, to research my next book, but I was feeling a bit guilty, like it was too much to have asked of everyone else. But at 7am, we’d all enjoyed top-notch cat naps throughout the night and were looking forward to arriving within another five hours.

And then the bus stopped. In a little, teeny little town named Marti, between Ciego de Avila and Las Tunas, we passengers were emptied onto the pavement.

We were the only non-Cubans on the bus. There wasn’t a peep of protest from any passenger, nor the tiniest hint of apology from the bus driver.

Hey, this is Cuba. It’s understood that a long bus journey might take longer than anticipated. We all settled down on the roadside, to wait.

Nearby, from a window, a woman sold omelette and fresh cheese sandwiches, and cold cola drinks. I took my only small bills – 3 single CUCs. “How much for a sandwich?” I asked. “One peso,” she said, raising a finger. “Not dollars,” another customer told me, flashing a wallet full of Cuban moneda nacional. “Cuban pesos.”

There are 24 Cuban pesos to the CUC. “Okay,” I said. “How much do you want from me for the sandwiches? I only have dollars.” The woman shrugged, blushed. “I dunno…”
“Make it up,” I advised, thinking it a good lesson in capitalism. It was, after all, a seller’s market. The woman gave me a small heap of egg and cheese rolls and then insisted, “Take some sodas too.” She refused to take more than 2 CUCs.

A Cuban guy wearing an old-fashioned, gentlemanly beret offered to change some money for me (it’s forbidden). So I bought 25 Cuban pesos and we had enough money to eat and drink for the next 8 hours. Four of those hours were spent just waiting in Marti. Watching boys practising baseball on the diamond opposite the bus stop, and talking quietly to the Cuban passengers from the bus.