Have you been watching my tweets and Facebook updates? If so, you may have seen some of the AMAZING progress made in the campaign to complete and launch an unfinished project by one of my heroes from childhood – Gerry Anderson. At the time of writing this, the wonderful Anderson fans have pledged £15,659 towards our target of £24,350.
In preparing to write GEMINI FORCE ONE, I had to do a lot of thinking. Not just about the plot but about how I, as a completely new writer to the project, would find my way into it. I’m not Gerry Anderson, after all. Even with the notes, audio fragments and chapters he’d left while working on the project in the last years of his life, it’s not the same as being able to talk to Gerry in person.
Before I could agree to take on the project, I had to know two things: something about Gerry’s inner reason for writing these stories. And to understand how they worked from the inside.
With the first thing: a writer doesn’t always know WHY they write about something. But talking to Gerry’s son Jamie, we were able to find reasons, from things that Gerry has said, and from things that have happened in his life, which may well be behind his particular fascination with the ‘formula’ behind so many of his TV shows.
(No I’m not going to tell you what we decided! That’s all part of the mysterious process by which we create!)
On the second issue, understanding how these stories work from the inside, I started to think about the parallels with my own work. A question I’m often asked is about my own influences. I make some guesses, but the truth is that a lifetime of influences go into a story. So with Joshua Files I may be conscious of trying to channel INDIANA JONES, JAMES BOND, THE BOURNE IDENTITY. But that’s not all that goes into the pot. You probably need to go earlier and younger into my set of influences.
When I sat down to think about it, there were many eerie similarities with THUNDERBIRDS and THE JOSHUA FILES. Things that no-one – including me – had spotted until now.
And I’m not the only one who owes a debt to Gerry Anderson…
I emailed Junot a photo of his book-stack and we’ve been in contact since. Recently, Goodreads asked me to suggest some interview questions for a forthcoming major feature on the Goodreads site, about Junot’s forthcoming collection of short stories, THIS IS HOW YOU LOSE HER.
If it’s anything like as good as Junot’s debut, DROWN then I will be one happy homegirl. (Dude’s narrative swagger is infectious. He’s got me outgunned with the metaphor and wordplay though, sin duda.)
It made me realise that I’d quite like Junot to answer all of my suggestions. Very kindly, he agreed to answer by email. So, here we go!
1. You must have been asked this one a zillion times but – here goes. As a former sci-fi obsessive and Dungeon Master, I recognised Oscar, but Yunior, much less. As a fellow author, I have to recognise that most authors are writing something of themselves into every character. Either the person they think they really are, or the person they either would like to be, or fear they might become. Yunior and Oscar seem to me like they could be opposing aspects of your own character. Is there any truth to that? And if so, can you give us a percentage – how much Yunior, how much Oscar? Or could it be that you’ve concealed your true self within Lola?
Hard to parse oneself, especially when we’re talking about our fictional creations. Characters like Lola and Oscar took all my heart to write but does that mean they’re half of me? Hard to say. Though it’s true: what made Oscar and Yunior interesting is that they represent opposite sides of something that they’re each fascinated and tormented by. Yunior is incapable of dropping his social masks – he’s always putting on a persona, always passing for a male, always playing the role, never really letting anyone know who he is.
Throughout the novel we meet many of his various guises but we never truly meet the man himself. One cannot find love unless one drops all masks, all pretenses, unless one reveals oneself and makes oneself totally vulnerable to the person they seek to love. Love after all requires intimacy and intimacy is only possible when you expose yourself utterly. Like many boys of his time and place and upbringing Yunior wants to be able to find love but was raised to avoid vulnerability at all costs. He has many lifelike masks with which he tricks the women he’s with, so many masks in fact he has forgotten that he even has a real face. Oscar on the other hand is never anything but Oscar. He has no masks and therefor cannot adjust himself to a given social situation just to get a girl, which is what Yunior can do all the time. Oscar can play no ‘roles’
and Yunior can never show himself. They each have what the other wants and so they circle each other and this is why Yunior is drawn to Oscar. In him he can see what he’s missing though he’d never admit it openly.
But to answer your question most directly: Yunior is my alter ego and has been for a while. But Oscar is also my alter ego. I grew up with roleplaying games and comic books and scifi books and like Oscar I was tormented by apocalyptic nightmares. As for Lola she was inspired by the Dominican ex girlfriend of my dreams. The woman who completely changed my life. And that means she too is a part of me. How much–hard to say.
(Ooof, fascinating answers! Especially intrigued by the revelation about Lola.)
2. You’ve been writing Yunior for a long time now. We first see him as a nine-year old in DROWN and at the end of Oscar Wao he’s about to be forty. Now, in your latest collection This Is How You Lose Her, you’re returning to Yunior. It’s common for teen and YA authors to take their characters through a coming-of-age, I totally get the appeal of that. But we tend to leave them hopeful, on the brink of adulthood. What are the challenges and the appeal of returning to a character you’ve developed for so long and taking them through the experiences of early middle-age, which in many ways have so much less sparkle and lustre?
One trades the lustre of youth for the burden of wisdom, for the weight and power that comes from confronting oneself over a longer span of years, and in the process coming to terms with the consequences of all your choices. I mean, damn, if we’re lucky we all age. And what I’m discovering is that it takes a lot of courage to face the years once youth has faded. I never knew that when I was young. Me, I’m interested in making art about the human experience and this is one confrontation, with growing older, that clearly has never ceased to fascinate artists. And it certainly fascinates me. Doesn’t mean I’ll stop writing about young people. But as an artist one wants to be able to write productively about all the stages of life. Having insight in your work about what it means to be 44 is as important as having insight in your work about being 14.
3. Like many of your readers I am dying to read your sci-fi, post-apocalyptic novel. Is it going to be called Monstro? How is it coming along? YA readers are somewhat obsessed with this subject matter so feel free to tell us as much as you can…
Well, I grew up on the post-apocalyptic. Before this current craze I was a part of an earlier far less commented upon generation of end-of-the-worlders. We seem always to live in apocalyptic times. MONSTRO is going OK. Still much work to do. But the work at least is forging ahead. I’m working on the hero of the book. A sixteen year old girl from a destitute background who ends up battling a series of godzilla size monsters and the horrible menace behind them. (I know, this sounds like something more suitable for a comic book but hey what can I say–it’s what’s calling me now.)
(Hey – I’m not one to argue. Comic books stories are the type I’m called to tell pretty much all the time…)
4. I read in an interview somewhere that you were inspired to put aspects of a telenovela into Oscar Wao. It made me smile because I remember the moment that my agent became really excited about the plot for Invisible City. He kept reacting with this kind of meh, until I just thought, OK, well let’s throw in something to this teen thriller, action-adventure novel, that would normally belong in a telenovela. And the agent flipped over it. It certainly helped me to get a debut book deal but on the other hand, I suspect it alienated some readers because of the unexpected mix of genres. Oscar Wao is a totally genre-mixing novel, which is why I adore it. Monstro sounds like it could be the same kind of genius-mix, again. Do you think it’s an inherent part of our immigrant-identity, to produce mestizo fiction? Could you ever see yourself writing a pure genre novel?
Hard to say. Much mestizaje often leads people to dream strongly about purity. Just check the countries from which we hail where the obsession with all forms of purities, from racial to class, is overwhelming. I think I’m a hybridmonger, not only because of my upbringing and my Caribbean-ness, but also by inclination. It’s how I think. I would love to write a purely genre novel. But I also have to learn to write faster, since at this rate I’ll be lucky to finish MONSTRO before I turn 60.
(Crumbs, let’s hope not, I won’t last that long waiting!)
5. Your top three tropical music nightclub recommendations, please? My top three are La Maraka, Mexico City, Casa de La Musica Galiano, Havana, El Grande @Club Colosseum, London.
You’re so much better at this game than I am. I don’t remember the names of any of the clubs I’ve gone to. There was a spot in Bogotá that I adored but whose name escapes me. There’s of course 809 in New York City which is simply fantastic. And in the Dominican Republic R there’s El Secreto Musical where they strictly dance Cuban son and in the days of my youth was about the most fun one could have in the DR.
(I wanna go to El Secreto Musical!!!)
6. Your favourite salsa band?
I’m a huge fan of Eddie Palmieri’s work and of course Hector Lavoe. When they’re on a track or an album I’m in heaven.
(Let’s take a minute to absorb the genius of Hector…)
7. Salsa, merengue or reggaeton?
I prefer the one you left out–bachata!
(OK – we need no more proof that Junot is in fact a marshmallow – bachata is verrry smoochy and romantic…)
8. Mario Vargas Llosa or Gabriel Garcia Marquez?
That’s easy. GGM all the way. There’s something cold about Vargas Llosa that has never sat well with me. But that’s just me, clearly.
(I wouldn’t agree quite with ‘cold’, but calculated, maybe.)
Thanks so much, Junot! I’m sure you’ll be doing lots of interviews now that we’re all about to read THIS IS HOW YOU LOSE HER. Junot has promised to get a free (hopefully signed) copy of the book to one lucky reader – if you would like to enter the draw please leave a comment with the title of your favourite short story by Junot, by August 31st, and be sure to use your real name and email address so we can get that book to you.
If you’d like to know more about Junot, you can follow his unofficial (but devoted) twitter updates @JunotDiazDaily and fan-made Junot Diaz Tumblr page.
Some years ago I wrote a blogpost I am so going to fangirl Haruki Murakami… about my favourite living author. Despite my vow, it turned out to be more difficult than I’d anticipated. I couldn’t find an email address or anything. I thought about sending a letter to his UK publisher, Random House, but something told me that they would probably not pass it on. Murakami is obsessive about his privacy, he’s probably not that interested in fan mail. Maybe it gets boring after a thousand or so? (Message to my readers – I’m not tired of fan mail yet!)
The desire to celebrate Murakami must have built up into something unbearable because when Zool Verjee (@cadmus08) started tweeting about the upcoming launch of 1Q84, I couldn’t resist urging him to organise a party at Blackwell’s in Oxford.
It turns out that another Oxford-based author, Dan Holloway, had been doing just the same thing. Also that Blackwell’s in Oxford is a hotbed of Murakami fans who were delighted at the chance to throw a party for the sheer joy of Murakami-love and shared delight at the appearance of a hotly-anticipated new novel (watch the trailer for 1Q84.)
So last night saw a bunch of Oxford folk gather in the shop for the We Love Murakami party. In honour of Haruki’s own obsession with jazz and cocktails, we had the pleasure of a live jazz pianist. And I mixed Cosmopolitans, Coolman Martinis, Sea Breezes and Shirley Temples, with help from newly-recruited mixologist, Steph.
We shared stories of how we came to love Murakami, what his writing means to us, there were impromptu readings of favourite passages from his books. We voted on our favourite books (mine s0 far is The Wind-Up Bird Chronicle). On pink and blue postcards, we jotted down thoughts of what Murakami means to us. There were pop quiz questions with book prizes (I won a copy of Norwegian Wood for our 19-year old daughter).
Euan from Blackwell’s recorded videos of the speeches. He’s sending footage as well as the postcard jottings to Murakami’s publisher who have promised to pass them on to Haruki. (and we believe them!)
Really a special night of great warmth and affection for a writer than I’m pretty sure none of us with ever meet, but whose inner world has touched us to our very core. That’s what readings is for, at its very best. I am but a humble entertainer, but even humble entertainers need sustenance to inspire our writing. Any writer that inspires me; Murakami, Junot Diaz, Pedro Juan Guttierrez, Mario Vargas Llosa, Kazuo Ishiguro, well, I’m forever in their debt.
Thank you Blackwell’s for such a wonderful evening!
If you watch this video from Teacher’s TV you’ll see my shock and delight that I was able to announce TWO winners. And that’s from a very strong shortlist! It was a joy to be able to see the work that all the honour list of librarians has put into the ‘Learning Resource Centres’ in their schools. I quite envied the kids at Kevin Sheehan’s school in Offerton, Stockport, who got to enjoy, amongst many other activities, a Doctor Who theme day.
Then it was on to St. Gregory the Great School, Oxford, where a House competition was run to find the best school poet for National Poetry Day. Four talented young poets stood up to represent their houses before a packed hall at lunchtime. The brilliant Raymond Pelakamoyo won for Benedict House with a poem about Home that brough the house down. (You can watch the video of Raymond Pelakamoyo below or on Youtube)
Huzzah and thank goodness! For those of us who carry resentment that Jorge Luis Borges and Graham Greene were never given their due recognition by the Nobel Committee, Mario Vargas Llosa was another thorn in our side. Now he’s won! Now he is officially the literary equal of his former friend and subject of his doctoral thesis (until he punched him in the face in Mexico City), Gabriel Garcia Marquez!
MG fangirls Mario Vargas Llosa at Oxford Literary Festival 2009
I’ll confess that I have yet to finish the two books that are considered to be Vargas Llosa’s greatest contributions to the American Novel.
The Green House
The Feast of the Goat
And I haven’t yet read Conversations in the Cathedral, which Vargas Llosa told an audience at the 2009 Oxford Literary festival, was his own favourite. Or The War at the End of the World.
But! I have read and loved The Time of the Hero, Aunt Julia and the Scriptwriter, Captain Pantoja and the Special Service, Who Killed Palomino Molero, The Storyteller, The Real Life of Alejandro Mayta and The Bad Girl.
Readers who know their onions are now nodding and thinking, yes, she’s a lightweight, only read the shorter, more entertaining novels. That’s what makes Vargas Llosa such a genius and such a worthy winner!Unlike most Nobel winners he can write dense politico historical epics, comedy, thrillers and murder mysteries. As the guy who announced the Nobel said, Vargas Llosa is a STORYTELLER.
He can write ANYTHING and make it awesome.
If you haven’t read anything by him, start with Aunt Julia and the Scriptwriter. And yet again, thanks to Alan Hoyle, former boyfriend of my mother’s for giving me this book for honeymoon reading over 20 years ago and introducing me to your literary hero and now mine.
Some book publicity events are planned months in advance…and some spring up on you all surprising, like.
Last Thursday I’d planned to be in London to renew my Mexican passport at the embassy, after a bit of a saga as you might know if you follow me on Twitter. Suddenly a little new story broke, about some research collated on behalf of Scholastic Children’s Books UK, that in the UK more under 16s own a mobile phone than own a book.
The research was based on a survey of 17,000 under-16s in the UK. Apparently almost 9 in 10 young people in the UK own a mobile, whilst fewer than 3/4 (73%) own a book. 80% of children who read above the expected level for the age have books of their own. This drops by 22% for those that read below the expected reading level (58%).
It was the last day of term for most maintained schools in the UK, so what better chance to stir up some interest in summer reading for kids?
Scholastic wanted one of their authors to be available for comment, so I was invited to stay over until Friday and do some radio interviews. Sixteen, actually, some live, some pre-recorded.
One interview was at my local radio station, JackFM of Oxford. It’s just down the road from me actually, so Sophie Bruce had a bit of fun teasing me about being in London in a recording studio, when I could have just popped in. And guess who does the in-betweeny-voice bits for JackFM? It’s Paul Darrow, aka Avon, the sexy heart-throb star of BBC TV’s Blake’s 7.
Paul Darrow sent all the girls in my class this photo. *swoon*
Now if you’ve read my bio, you know that I heart Blake’s 7 but I specially heart Avon, spent most of my teenage years (ahem and a bit longer too) dreaming about being a crew member on the Liberator and having my wicked way becoming really good chums with Avon.
Paul Darrow, a charming and very lovely guy, was always most kind to his fans. Once for his 40th birthday I got all my school friends to sign a card to Paul. He replied with a signed photo for every girl in the class, how cool is that? And a letter addressed to the Ladies of Fallowfield.
Sophie of JackFM asked me if I’d like her to get Paul to record a message for me, and I said that I’d like to know that he remembered the Ladies of Fallowfield. Who are now the dowagers of Fallowfield, but never mind.
Paul, being full of awesome and everything, did just that. Ladies, listen to this without swooning, if you can.
Thank you Sophie and Paul for making this recording! I love it!
BIG HINT about Ultra Secret New Project. The guy in it is a teeny bit inspired by Avon. He is a Bad Boy. Kind of a lot worse than Avon, if I’m honest. But Avon, I suspect, would have understood him only too well.
